An in-depth look at the 1977 tour
Comments and Observations
There is surprisingly little known about the tour in support of A New World Record.
The tour, dubbed A New World Record Tour Of America was a tour in North America only, running from January to April of 1977. The reason the tour was only in North America can probably be attributed to the band's high success rate in the USA. If so, it's somewhat ironic given that late in 1976 Livin' Thing was ELO's breakout hit in England. The Unexpected Messages book states that it was a 40 city tour.
Another explanation for the tour being only in North America (and brief compared to previous tours) could be simply due to scheduling issues. The band may have had the tour booked without consideration for when an album was to be released, thus the timing was that the A New World Record tour only happened in North America.
As in previous shows, Mik Kaminski and Hugh McDowell performed solo violin and cello performances during the show. Mik performed a self-written and unnamed solo piece which merged with the drums, bass and keyboards joining in on a modern arrangement of the traditional Jewish folk song Hava Nagila. Hugh performed his own self-written and unnamed solo piece which similarly merged with bass, drums and guitar joining in for a modern arrangement of the traditional Hungarian folk song Csárdás and more of Hugh's self-written piece. This information is drawn from the one an only bootleg recording of a performance from the A New World Record tour, so it is also possible that the performance varied from show to show.
Beyond these small bits and one bootlegged performance from New York City's Madison Square Garden on February 11, 1977, very little else is known about this tour.
Band and crew members
The band and crew on this tour were:
Jeff Lynne: vocals, guitar
Bev Bevan: drums
Richard Tandy: keyboards
Kelly Groucutt: bass, vocals
Mik Kaminski: violin
Hugh McDowell: cello
Melvyn Gale: cello
Don Arden: business and personal management
Dave Arden: business and personal management
Bernie Boyle: tour manager
Sharon Arden: tour manager Rick Pannell: sound engineer
Jake Commander: live monitor engineer
Other crew is uncertain, although probably Brian Jones and Phil Copestake were involved as engineers or technician as they were known to be good friends with the band and involved in most of their tours.
Long time sound engineer, Rick Pannell, stopped working with the band at the end of this tour.
Tour Dates
This tour ran during the first four months of 1977. In January, February and (possibly) early March, most of the shows were opened by Steve Hillage and Firefall. These three bands seemed to have traveled in and out of one anothers' tour circles, such that sometimes one or the other (and in a few cases, both) opened for ELO and sometimes they did other shows in which they were the headliner and ELO did not play.
By summer of that year, Jeff Lynne was in Switzerland writing songs for Out Of The Blue. Details are not entirely clear due to a lack of documentation. The following schedule is only partially complete.
Date City, Country Venue Opening Act(s) Comments North American Tour January 17, 1977 Phoenix, Arizona, USA Arizona Veterans Memorial Coliseum Steve Hillage & Journey January 19, 1977 Denver, Colorado, USA McNichols Arena Elvin Bishop Band January 21, 1977 Tucson, Arizona, USA Tucson Community Center Journey January 22, 1977 El Paso, Texas, USA County Coliseum Ambrosia January 23, 1977 Albuquerque, New Mexico, USA University of New Mexico's Johnson Gym Steve Hillage January 25, 1977 San Francisco, California, USA Cow Palace Steve Hillage, Firefall January 26, 1977 Las Vegas, Nevada, USA Convention Center Steve Hillage January 27, 1977 Inglewood (Los Angeles), California, USA The Forum Steve Hillage January 30, 1977 San Diego, California, USA Sports Arena Steve Hillage, Firefall January 31, 1977 Inglewood (Los Angeles), California, USA The Forum Steve Hillage February 4, 1977 Kansas City, Missouri, USA Municipal Auditorium Steve Hillage February 5, 1977 Lincoln, Nebraska, USA Pershing Auditorium Steve Hillage Venue records show that 8,519 were in attendance of this show. February 6, 1977 Oklahoma City, Oklahoma, USA The Myriad Steve Hillage February 11, 1977 New York City, New York, USA Madison Square Garden Steve Hillage February 12, 1977 Philadelphia, Pennsylvania, USA The Spectrum Steve Hillage February 13, 1977 Philadelphia, Pennsylvania, USA The Spectrum Steve Hillage February 15, 1977 Erie, Pennsylvania, USA Erie County Fieldhouse Steve Hillage February 17, 1977 Pittsburgh, Pennsylvania, USA Civic Arena Journey, Steve Hillage February 18, 1977 Cincinnati, Ohio, USA Riverfront Coliseum Gentle Giant & Steve Hillage February 19, 1977 Cleveland, Ohio, USA Public Auditorium Steve Hillage February 21, 1977 Detroit, Michigan, USA Cobo Hall Steve Hillage February 22, 1977 Detroit, Michigan, USA Cobo Hall Steve Hillage February 23, 1977 Flint, Michigan, USA IMA Auditorium Steve Hillage February 25, 1977 Milwaukee, Wisconsin, USA Exhibition Auditorium Steve Hillage Record show that there were sold 6037 tickets to this show. February 26, 1977 Chicago, Illinois, USA The Uptown Theatre Steve Hillage February 27, 1977 Chicago, Illinois, USA The Uptown Theatre Steve Hillage February 28, 1977 Chicago, Illinois, USA The Uptown Theatre Steve Hillage March 10, 1977 Atlanta, Georgia, USA The Omni Coliseum Elliott Murphy Leo Sayer was scheduled to open, but cancelled for unknown reasons. March 11, 1977 Jacksonville, Florida, USA Jacksonville Veterans Memorial Coliseum Elliott Murphy, Black Oak Arkansas March 12, 1977 Hollywood, Florida, USA The Hollywood Sportatorium Elliott Murphy, Black Oak Arkansas Leo Sayer was set to open this show, but cancelled for unknown reasons. March 13, 1977 Lakeland, Florida, USA Lakeland Civic Center Leo Sayer, Elliott Murphy, Black Oak Arkansas March 15, 1977 Mobile, Alabama, USA Municipal Auditorium Elliott Murphy March 17, 1977 Tulsa, Oklahoma, USA Assembly Center Atlanta Rhythm Section, Elliott Murphy This concert sold 4307 out of 9088 available seats, grossing $29,241. March 18, 1977 Dallas, Texas, USA Moody Coliseum Elliott Murphy March 19, 1977 Shreveport, Louisiana, USA Hirsch Memorial Coliseum Elliott Murphy March 20, 1977 New Orleans, Louisiana, USA Municipal Auditorium Elliott Murphy March 21, 1977 Houston, Texas, USA The Summit Sammy Hagar, Elliott Murphy March 23, 1977 St. Louis, Missouri, USA Kiel Auditorium Elliott Murphy, Chilliwack March 24, 1977 Evansville, Indiana, USA Roberts Stadium Journey March 25, 1977 South Bend, Indiana, USA Notre Dame Athletic and Convocation Center Elliott Murphy March 26, 1977 Lexington, Kentucky, USA Rupp Arena Sea Level, Elliott Murphy March 27, 1977 Charleston, West Virginia, USA Charleston Civic Center Manfred Mann's Earth Band, Elliott Murphy March 28, 1977 Columbus, Ohio, USA St. John Arena The Outlaws Elliott Murphy was scheduled to open this show as well, but apparently cancelled. March 30, 1977 Boston, Massachusetts, USA Boston Garden Piper April 1, 1977 Hartford, Connecticut, USA Hartford Civic Center Starcastle April 2, 1977 Ottawa, Canada Ottawa Civic Centre The Lavender Hill Mob April 4, 1977 Toronto, Canada Maple Leaf Gardens The Lavender Hill Mob April 6, 1977 Montreal, Canada The Montreal Forum The Lavender Hill Mob April 22, 1977 Inglewood (Los Angeles), California, USA (CANCELLED) The Forum Steve Hillage Out Of The Blue recording sessions July & August, 1977 Munich, Germany Musicland Studios N/A Note that some mixing of the album may have continued into September as well.
Setlist
This is the only known setlist used on the tour. It's very similar to the Face The Music tour setlist, with the exclusion of most Eldorado tracks and the On The Third Day suite to include the new A New World Record songs. It is entirely possible that the setlist varied somewhat during the tour, but given the only documentation of the tour that is available-- a New York City bootlegged performance-- this is all that is currently known.
A few fans have reported that ELO performed Eleanor Rigby by The Beatles at two different shows (one on April 22nd, although this show was cancelled so it must be faulty memory). A Los Angeles Times concert review confirms the song performed at the January 27, 1977 concert. Given the string arrangements in the original song and the featured string players in ELO, it would be a natural song for the band to perform. There is no recording available, bootleg or otherwise, of the performance and it remains unknown where in the setlist it was used.
Song Title Arrangement Song comments Fire On High Face The Music album arrangement, but all the acoustic guitar parts are replaced with a heavy electric guitar; the taped intro may have been cut, but that remains unconfirmed It's unclear if this performance used the taped intro. The only known recording of a concert from this tour does not include that part. Poker Face The Music album arrangement, but Jeff sings all the lead vocals rather than trading lines with Kelly Groucutt; also the ending is extended slightly, giving the song a bigger finish Nightrider Face The Music album arrangement Eldorado Overture Eldorado album version This is a taped intro from the Eldorado album. Can't Get It Out Of My Head Eldorado album arrangement except the keyboard is different on the bridge Hugh's Cello Solo/Csárdás N/A Showdown Standard single arrangement, but half of the instrumental bridge is played with electric piano and everything after the "I'm the fool for you" line is cut and replaced with a guitar outro Tightrope A New World Record album arrangement, but the choir parts are played with guitar and some of the lead guitar parts are played with keyboard Telephone Line A New World Record album arrangement, but with a non-fading end Livin' Thing A New World Record album arrangement, but cuts the "I'm takin' a dive" line from the violin bridge and all the female backing vocals; the ending does not fade, but includes a couple of extra choruses, followed by an instrumental finish Rockaria! A New World Record album arrangement, but Kelly Groucutt sings the opera bits and the entire final verse ("Now listen here baby...") Mik's Violin Solo/Hava Nagila N/A Strange Magic This is sort of the Face The Music album arrangement, using the same basic intro/verse/chorus arrangement, but the backing is very different. Instead, Bev steps from behind the drums and stands at the front of the stage playing only a tambourine a singing backing vocals. The lead guitar parts are played on keyboard, there are no female backing vocals, and it has a non-fading end. Evil Woman Face The Music album arrangement, but without the orchestral intro and a non-fading end Do Ya A New World Record album arrangement, except it adds four extra guitar riffs at the beginning and the bridge and it cuts the last verse; the song is played with a very hard sounding rock 'n' roll guitar; Kelly Groucutt sings the entire second verse Ma-Ma-Ma Belle Ma-Ma-Ma Belle single arrangement with added piano throughout; a 30 second drum intro is used to get the audience worked up; Kelly Groucutt sings lead on the second verse and the following chorus; the end has an additional chorus and a lengthy instrumental part running nearly 1:20 before a big ending Roll Over Beethoven ELO 2 UK album arrangment, but cuts the mellotron intro; also, the third and fourth verses and second chorus are cut, replaced by a long instrumental jam and picks up at the repeated "Roll Over Beethoven" part; the ending is extended, drawing out the last notes in a long jam Eleanor Rigby Unknown Any performance of this song is unavailable. It remains unclear which shows it was played at or where it was played in the setlist, however, it may have been performed just before Evil Woman.
Releases
No performance from this tour has seen official release.
Only one performances of this concert tour is known to have been bootlegged. It is:
Date Location Source Quality Comments February 11, 1977 New York City, New York, USA Audience Fair
Opening Acts
The myriad of opening acts on this tour are a bit unclear, but they were known to include the rock musicians Elliott Murphy and Steve Hillage, as well as the band Gentle Giant for at least one show.
Promotions
There is so little known about this tour that there are no known interesting stories to tell about promotions.
Photos
Fan Comments
Enter comments only about this tour. (Inappropriate comments will be removed.)
Does anyone remember a robot coming out on stage at Los Angeles concert?
Don't remember Steve Hillage opening at Madison Square Garden Thought it was Kingfish? Any one remember? Thanks.
I was at the Feb 26 show at the Uptown Theater in Chicago. Great venue great seats, one of my most memorable concerts. Awesome show. Yes Steve Hillage was the backup and I remember him doing a cover of the Beatles "its All Too Much" The set list is correct, The start ot his show was fantastic and they played before a very enthusiastic crowd
I was at the January 22 show in El Paso…They played a great long version of Eleanor Rigby here as well.
- Anonymous
Jan 27, 1977 LA Forum included the song Eleanor Rigby. Introduced by Lynne as a song by the greates group ever.
- Anonymous
I saw this tour in las Vegas at the las Vegas convention center. Best show ever!
- Anonymous
Feb. 23, 1977 show was at IMA(Industrial Mutual Association)Auditorium in Flint MI. A few years later,the Auditorium became part of the failed "Autoworld" amusement park.
- Anonymous
Some sources have this performance at Madison Square Garden as on February 17th instead of the 11th. It is believed that the 17th is accurate, but it's unconfirmed."
I can confirm that the Madison Square Garden performance was indeed on Feb 11, 1977 - I was there. Additionally, the ticked stub image above (Feb 11, 1977) is the Garden ticket.
- GJH
Ottawa, April 2, 1977. Age 14. Floor seats. Tickets were a gift. Parents thought I was going to watch an Orchestra! I recall being in awe of the music/production/lighting - the whole show (my first).
-Anonymous
Saw ELO in 1977 at MSG, and the opening act was Jimmy Buffet.
-Anonymous
Was also at the San Francisco show. Awesome!! Wish I could find pics, audio, or video from this. Bill Graham Presents was known to record many shows; always curious if they taped this one.
-Anonymous
Was at the Lexington show in March, 1977. I was a senior in High school. It was the first time I had ever seen lasers, and it was awesome. I think admission to the show was about 8 dollars.....unbelievable!!!
-Anonymous
I was at the San Francisco show. They definitely played the taped opening for "Fire On High" that night.
-Adam Shephard
I saw ELO in either late 76 or early 77 [I was in 10th grade] in Miami, Florida [at the Hollywood Sportatorium] definitely during the New World Record Tour....
Funny, I was talking with my sister tonite about how they had problems with playing taped music on the Out of the Blue Tour....but that when I saw them....the violin and cellos played their own music and was not an orchestra dubbed in....I even remembered the Hava Nagila solo....
By the way...for sure I remember this, too....the opening act for that show was Black Oak Arkansas....This is for sure.....
But...I also remember one other cool thing about the show....During the cello solo...they pointed a green laser on the particular string of the cello being bowed....and ..... the straight line laser would reflect or deflect off the vibrating string into these cool hairs of green looking like electricity all over the arena....It was one of the coolest effects I have ever seen....
This was my very first concert....I remember it well....Played the violin in my school's orchestra and was a huge elo fan.....Have all the music on albums....[even a European album in bubblegum pink or purplish color]......
-Lou Arslanian
i was at the madison square garden show --7th row-- FANTASTIC show. i was 16. the opening act was steve hillage. his single at the time was george harrison's "it's all too much", which he played live. then, ELO came on to a packed and adoring crowd.
-Seth Swirsky
I was at two of the ELO shows in 1977 that you have on your site. One was the show in Phoenix, the other was the show in Chicago. You are missing the opening act for both of those shows. It was Steve Hillage. As far as what venue the concert was at in Phoenix . . . I don't know the name of the place, but it was the stadium that the Phoenix Suns played in.
-Jack Bly
Song Comments
Fire On High (A New World Record Tour)
"The opening number [Fire On High] did little more than establish the group's rock-classical instrumentation and the placid versions of some early favorites (Can't Get It Out Of My Head, Showdown) also failed to generate momentum."
Robert Hilburn (January 29, 1977 - Los Angeles Times review of the January 27, 1977 concert)
"Surprisingly, the group did not open the show with a song from [A New World Record]. Instead the sound effects that open the song Fire On High from Face The Music collection blasted through the speakers of the sound system. That first number set an unfortunate pattern that would prevail throughout the concert: a superb musical performance was hampered by muddy sound."
Rick Atkinson (February 13, 1977 - The Sunday Record review of the February 11, 1977)
"The first number was Fire On High, some of which CBS-TV uses as background for its CBS Sports Spectacular. But the guitars were distorted. And that set the tone for the first part of the show."
Gary Nuhn (February 20, 1977 - Dayton Daily News review of the February 18, 1977 show)
- Running Time: 3:47 (approximate)
- Record Date: January to April 1977
- Record Location: Unknown
- Written By: Jeff Lynne
- Performed By: Jeff Lynne (guitar), Bev Bevan (drums, percussion), Richard Tandy (piano, moog synthesizer), Kelly Groucutt (bass), Mik Kaminski (violin), Hugh McDowell (cello), Melvyn Gale (cello)
- Released On: Unreleased (bootlegged)
Poker (A New World Record Tour)
- Running Time: 3:41 (approxmate)
- Record Date: January to April 1977
- Record Location: Unknown
- Written By: Jeff Lynne
- Performed By: Jeff Lynne (vocals, guitar), Bev Bevan (drums, percussion), Richard Tandy (piano, moog synthesizer), Kelly Groucutt (bass), Mik Kaminski (violin), Hugh McDowell (cello), Melvyn Gale (cello)
- Released On: Unreleased (bootlegged)
Nightrider (A New World Record Tour)
"Numbers such as Nightrider, Showdown and Eldorado Overture/Can't Get It Out Of My Head were letter perfect, and made even more interesting by the use of ever-changing slides back projected onto the screen at the rear of the stage."
Rick Atkinson (February 13, 1977 - The Sunday Record review of the February 11, 1977)
- Running Time: 4:09 (approximate)
- Record Date: January to April 1977
- Record Location: Unknown
- Written By: Jeff Lynne
- Performed By: Jeff Lynne (vocals, guitar), Bev Bevan (drums, percussion), Richard Tandy (piano, moog synthesizer), Kelly Groucutt (bass), Mik Kaminski (violin), Hugh McDowell (cello), Melvyn Gale (cello)
- Released On: Unreleased (bootlegged)
Eldorado Overture (A New World Record Tour)
"Numbers such as Nightrider, Showdown and Eldorado Overture/Can't Get It Out Of My Head were letter perfect, and made even more interesting by the use of ever-changing slides back projected onto the screen at the rear of the stage."
Rick Atkinson (February 13, 1977 - The Sunday Record review of the February 11, 1977)
"ELO recovered for a moment with the incredible opening of Eldorado Overture, perfectly recreated, but it had to have been a tape. The poem was too perfect; also the sound."
Gary Nuhn (February 20, 1977 - Dayton Daily News review of the February 18, 1977 show)
- Running Time: 1:51 (approximate)
- Record Date: January to April 1977
- Record Location: Unknown
- Written By: Jeff Lynne
- Performed By: Jeff Lynne (guitar), Bev Bevan (drums, percussion), Richard Tandy (piano, moog synthesizer), Kelly Groucutt (bass), Mik Kaminski (violin), Hugh McDowell (cello), Melvyn Gale (cello)
- Released On: Unreleased (bootlegged)
Can't Get It Out Of My Head (A New World Record Tour)
"The opening number [Fire On High] did little more than establish the group's rock-classical instrumentation and the placid versions of some early favorites (Can't Get It Out Of My Head, Showdown) also failed to generate momentum."
Robert Hilburn (January 29, 1977 - Los Angeles Times review of the January 27, 1977 concert)
"Numbers such as Nightrider, Showdown and Eldorado Overture/Can't Get It Out Of My Head were letter perfect, and made even more interesting by the use of ever-changing slides back projected onto the screen at the rear of the stage."
Rick Atkinson (February 13, 1977 - The Sunday Record review of the February 11, 1977)
"Then Lynne couldn't get anything more than a polite applause out of Can't Get It Out Of My Head. There was danger of pizza plates flying again."
Gary Nuhn (February 20, 1977 - Dayton Daily News review of the February 18, 1977 show)
"The crowd roared its approval when familiar melodies such as Can't Get It Out Of My Head, Showdown, Evil Woman and Strange Magic came up."
T. Edward Bell (March 23, 1977 - Houston Daily Cougar review of the March 21, 1977 show)
"In terms of visual and auditory effectiveness, the 1975 hit Can't Get It Out Of My Head was the weakest and most disturbing number, chiefly because it exposed a nagging problem for ELO-- the tendency to simply re-create the AM sound without the necessary risk-taking that [a] more expansive and complex interpretation would entail."
Scott Appleby (March, 1977 - Unknown newspaper review of March 25, 1977 show)
- Running Time: 4:06 (approximate)
- Record Date: January to April 1977
- Record Location: Unknown
- Written By: Jeff Lynne
- Performed By: Jeff Lynne (vocals, guitar), Bev Bevan (drums, percussion), Richard Tandy (piano, moog synthesizer), Kelly Groucutt (bass), Mik Kaminski (violin), Hugh McDowell (cello), Melvyn Gale (cello)
- Released On: Unreleased (bootlegged)
Hugh's Cello Solo/Csárdás (A New World Record Tour)
Hugh's cello solo is mostly a self-written piece, but for almost a full minute the rest of the band joins in to play Csárdás (sometimes written as Czardas), composed by Vittorio Monti, before returning to Hugh's self-written cello piece.
"McDowell and Kaminski both did extensive solos on their respective instruments, each to the accompaniment of a laser device that changes patterns according to the tone and pitch of the music played. Of the two solos, Kaminski's was by far the best. McDowell seemed, in many part of his work, to be striving for different sounds for new light patterns rather than for good music."
Rick Atkinson (February 13, 1977 - The Sunday Record review of the February 11, 1977)
"The highlight of the set came during an extended solo by cellist Hugh McDowell. The venerable old instrument will never be the same after McDowell distorted, plucked, and, in the minds of some stuffy purists, generally abused it."
T. Edward Bell (March 23, 1977 - Houston Daily Cougar review of the March 21, 1977 show)
- Running Time: 9:16 (approximate)
- Record Date: January to April 1977
- Record Location: Unknown
- Written By: Hugh McDowell (cello solo), Vittorio Monti (Csárdás)
- Performed By: Hugh McDowell (cello), Jeff Lynne (guitar), Bev Bevan (drums, percussion), Kelly Groucutt (bass)
- Released On: Unreleased (bootlegged)
Showdown (A New World Record Tour)
"The opening number [Fire On High] did little more than establish the group's rock-classical instrumentation and the placid versions of some early favorites (Can't Get It Out Of My Head, Showdown) also failed to generate momentum."
Robert Hilburn (January 29, 1977 - Los Angeles Times review of the January 27, 1977 concert)
"Numbers such as Nightrider, Showdown and Eldorado Overture/Can't Get It Out Of My Head were letter perfect, and made even more interesting by the use of ever-changing slides back projected onto the screen at the rear of the stage."
Rick Atkinson (February 13, 1977 - The Sunday Record review of the February 11, 1977)
"The crowd roared its approval when familiar melodies such as Can't Get It Out Of My Head, Showdown, Evil Woman and Strange Magic came up."
T. Edward Bell (March 23, 1977 - Houston Daily Cougar review of the March 21, 1977 show)
- Running Time: 4:51 (approximate)
- Record Date: January to April 1977
- Record Location: Unknown
- Written By: Jeff Lynne
- Performed By: Jeff Lynne (vocals, guitar), Bev Bevan (drums, percussion), Richard Tandy (piano, moog synthesizer), Kelly Groucutt (bass), Mik Kaminski (violin), Hugh McDowell (cello), Melvyn Gale (cello)
- Released On: Unreleased (bootlegged)
Tightrope (A New World Record Tour)
"But finally, they went for material from their new and magnificent album, A New World Record and the night was saved. Lynne and echo singer Kelly Groucutt did Tightrope first and the audience finally stirred."
Gary Nuhn (February 20, 1977 - Dayton Daily News review of the February 18, 1977 show)
"Jeff Lynne and Kelly Groucutt harmonized with force and occassional brilliance, effecting a more dynamic sound on songs like Tightrope and Strange Magic."
Scott Appleby (March, 1977 - Unknown newspaper review of March 25, 1977 show)
- Running Time: 4:42 (approximate)
- Record Date: January to April 1977
- Record Location: Unknown
- Written By: Jeff Lynne
- Performed By: Jeff Lynne (vocals, guitar), Bev Bevan (drums, percussion), Richard Tandy (piano, moog synthesizer), Kelly Groucutt (bass), Mik Kaminski (violin), Hugh McDowell (cello), Melvyn Gale (cello)
- Released On: Unreleased (bootlegged)
Telephone Line (A New World Record Tour)
"Two more, Telephone Line and Livin' Thing, and all the pain of the early evening was forgotten."
Gary Nuhn (February 20, 1977 - Dayton Daily News review of the February 18, 1977 show)
- Running Time: 4:15 (approximate)
- Record Date: January to April 1977
- Record Location: Unknown
- Written By: Jeff Lynne
- Performed By: Jeff Lynne (vocals, guitar), Bev Bevan (drums, percussion), Richard Tandy (piano, moog synthesizer), Kelly Groucutt (bass), Mik Kaminski (violin), Hugh McDowell (cello), Melvyn Gale (cello)
- Released On: Unreleased (bootlegged)
Livin' Thing (A New World Record Tour)
"By using a livelier tune [earlier in the show] from the new album (Livin' Thing or Rockaria [sic]), the band could have established the crucial beginning thrust of McCartney's 'Rock Show'-- Let Me Roll It--Jet medley."
Robert Hilburn (January 29, 1977 - Los Angeles Times review of the January 27, 1977 concert)
"Two more, Telephone Line and Livin' Thing, and all the pain of the early evening was forgotten."
Gary Nuhn (February 20, 1977 - Dayton Daily News review of the February 18, 1977 show)
- Running Time: 4:04 (approximate)
- Record Date: January to April 1977
- Record Location: Unknown
- Written By: Jeff Lynne
- Performed By: Jeff Lynne (vocals, guitar), Bev Bevan (drums, percussion), Richard Tandy (piano, moog synthesizer), Kelly Groucutt (bass), Mik Kaminski (violin), Hugh McDowell (cello), Melvyn Gale (cello)
- Released On: Unreleased (bootlegged)
Rockaria! (A New World Record Tour)
"By using a livelier tune [earlier in the show] from the new album (Livin' Thing or Rockaria [sic]), the band could have established the crucial beginning thrust of McCartney's 'Rock Show'-- Let Me Roll It--Jet medley."
Robert Hilburn (January 29, 1977 - Los Angeles Times review of the January 27, 1977 concert)
"After that, it was a question of which got the largest response, Rockaria!, Do Yah [sic], Ma Ma Ma Belle [sic], or their encore number, Roll Over Beethoven."
Gary Nuhn (February 20, 1977 - Dayton Daily News review of the February 18, 1977 show)
- Running Time: 3:01 (approximate)
- Record Date: January to April 1977
- Record Location: Unknown
- Written By: Jeff Lynne
- Performed By: Jeff Lynne (vocals, guitar), Bev Bevan (drums, percussion), Richard Tandy (piano, moog synthesizer), Kelly Groucutt (bass), Mik Kaminski (violin), Hugh McDowell (cello), Melvyn Gale (cello)
- Released On: Unreleased (bootlegged)
Mik's Violin Solo/Hava Nagila (A New World Record Tour)
"McDowell and Kaminski both did extensive solos on their respective instruments, each to the accompaniment of a laser device that changes patterns according to the tone and pitch of the music played. Of the two solos, Kaminski's was by far the best. [...] Kaminski held more to a display of musical virtuosity, leaving his clowning until the end when, with help from Lynne and the rhythm section, he pounded through a spirited version of Havah Nagilah."
Rick Atkinson (February 13, 1977 - The Sunday Record review of the February 11, 1977)
"Violinist Mik Kaminsky [sic] proved to be no slouch either when his turn under the spotlight came. His style would change abruptly from violent sawing at the instrument to suddenly playing gentle interludes."
T. Edward Bell (March 23, 1977 - Houston Daily Cougar review of the March 21, 1977 show)
"The obligatory drum solo was replayed by a refreshing stint on violin by Mik Kaminski. Mik took a melodic stroll through a bevvy of old tunes that acquired a different interpretation of violin: West Side Story, Somewhere Over The Rainbow, and bits of pieces from Jewish traditionals were introduced in his repetoire."
Scott Appleby (March, 1977 - Unknown newspaper review of March 25, 1977 show)
"While several Internet sources claim that Kaminski interpolated traditional Jewish melodies and/or Hava Nagila into his solo showcase on ELO s 1977 concert tour, it's possible that these sounds were incorrectly attributed to Brahms s Hungarian Dance No. 5, which Kaminski definitely did play as part of his solo improvisation, which always concluded with the bluegrass tune, Orange Blossom Special."
Seth Rogofoy (August 20, 2018 - The Forward)
Editor's Note: This was not a mistake, as the violin solo did indeed feature Hava Nagila on the 1977 tour, and Hungarian Dance No. 5 was used on the 1978 tour.
- Running Time: 7:24 (approximate)
- Record Date: January to April 1977
- Record Location: Unknown
- Written By: Mik Kaminski (solo), Unknown (Hava Nagila)
- Performed By: Mik Kaminski (violin), Jeff Lynne (guitar), Bev Bevan (drums, percussion), Kelly Groucutt (bass)
- Released On: Unreleased (bootlegged)
Strange Magic (A New World Record Tour)
In this live performance, Bev Bevan stepped out from behind the drums to stand in the front of the stage playing tambourine and singing backup/harmony vocals.
"The band brought the concert to a rousing close by finishing with three of their best numbers, Strange Magic, Evil Woman and Do Ya."
Rick Atkinson (February 13, 1977 - The Sunday Record review of the February 11, 1977)
"The crowd roared its approval when familiar melodies such as Can't Get It Out Of My Head, Showdown, Evil Woman and Strange Magic came up."
T. Edward Bell (March 23, 1977 - Houston Daily Cougar review of the March 21, 1977 show)
"Jeff Lynne and Kelly Groucutt harmonized with force and occassional brilliance, effecting a more dynamic sound on songs like Tightrope and Strange Magic."
Scott Appleby (March, 1977 - Unknown newspaper review of March 25, 1977 show)
- Running Time: 3:39 (approximate)
- Record Date: January to April 1977
- Record Location: Unknown
- Written By: Jeff Lynne
- Performed By: Jeff Lynne (vocals, guitar), Bev Bevan (backing vocals, tambourine), Richard Tandy (piano, moog synthesizer), Kelly Groucutt (bass), Mik Kaminski (violin), Hugh McDowell (cello), Melvyn Gale (cello)
- Released On: Unreleased (bootlegged)
Evil Woman (A New World Record Tour)
"Besides the fervor of the new tunes, the instramental appendage on Eleanor Rigby displayed an intensity that carried through Evil Woman and a rousing version of Do Ya..."
Robert Hilburn (January 29, 1977 - Los Angeles Times review of the January 27, 1977 concert)
"The band brought the concert to a rousing close by finishing with three of their best numbers, Strange Magic, Evil Woman and Do Ya."
Rick Atkinson (February 13, 1977 - The Sunday Record review of the February 11, 1977)
"The crowd roared its approval when familiar melodies such as Can't Get It Out Of My Head, Showdown, Evil Woman and Strange Magic came up."
T. Edward Bell (March 23, 1977 - Houston Daily Cougar review of the March 21, 1977 show)
"Perhaps the highlight of the evening was Evil Woman, during which even the expressionless Lynne seemed duly inspired by the pride and excitement of being involved in a winning effort. As one young lady in a dark blue pantsuit was overheard to exclaim: 'I like the performance all the more when even the band members are enjoying it!'"
Scott Appleby (March, 1977 - Unknown newspaper review of March 25, 1977 show)
- Running Time: 4:39 (approximate)
- Record Date: January to April 1977
- Record Location: Unknown
- Written By: Jeff Lynne
- Performed By: Jeff Lynne (vocals, guitar), Bev Bevan (drums, percussion), Richard Tandy (piano, moog synthesizer), Kelly Groucutt (bass), Mik Kaminski (violin), Hugh McDowell (cello), Melvyn Gale (cello)
- Released On: Unreleased (bootlegged)
Do Ya (A New World Record Tour)
"Besides the fervor of the new tunes, the instramental appendage on Eleanor Rigby displayed an intensity that carried through Evil Woman and a rousing version of Do Ya, a rock classic from Lynne's old Move days. The audience's standing ovation for Do Ya left little question it should be the band's next single."
Robert Hilburn (January 29, 1977 - Los Angeles Times review of the January 27, 1977 concert)
"The band brought the concert to a rousing close by finishing with three of their best numbers, Strange Magic, Evil Woman and Do Ya. It was ironic that the younger members of the crowd did not realize that Do Ya brings E.L.O. full cycle. A Jeff Lynne composition, Do Ya was originally recorded by The Move in their final days. A new recording of the song by E.L.O. is that group's newest single."
Rick Atkinson (February 13, 1977 - The Sunday Record review of the February 11, 1977)
"After that, it was a question of which got the largest response, Rockaria!, Do Yah [sic], Ma Ma Ma Belle [sic], or their encore number, Roll Over Beethoven."
Gary Nuhn (February 20, 1977 - Dayton Daily News review of the February 18, 1977 show)
- Running Time: 4:40 (approximate)
- Record Date: January to April 1977
- Record Location: Unknown
- Written By: Jeff Lynne
- Performed By: Jeff Lynne (vocals, guitar), Bev Bevan (drums, percussion), Richard Tandy (piano, moog synthesizer), Kelly Groucutt (bass), Mik Kaminski (violin), Hugh McDowell (cello), Melvyn Gale (cello)
- Released On: Unreleased (bootlegged)
Ma-Ma-Ma Belle (A New World Record Tour)
"After the de rigueur standing ovation (well deserved, in this case) the band returned for a song that has always been one of their strongest numbers, Ma-Ma-Ma Belle. By that point, however, the audience was whipped into such a frenzy that the band could have gotten a standing ovation if they had come out and played Rubber Duckie."
Rick Atkinson (February 13, 1977 - The Sunday Record review of the February 11, 1977)
"After that, it was a question of which got the largest response, Rockaria!, Do Yah [sic], Ma Ma Ma Belle [sic], or their encore number, Roll Over Beethoven."
Gary Nuhn (February 20, 1977 - Dayton Daily News review of the February 18, 1977 show)
- Running Time: 5:28 (approximate)
- Record Date: January to April 1977
- Record Location: Unknown
- Written By: Jeff Lynne
- Performed By: Jeff Lynne (vocals, guitar), Bev Bevan (drums, percussion), Richard Tandy (piano, moog synthesizer), Kelly Groucutt (bass), Mik Kaminski (violin), Hugh McDowell (cello), Melvyn Gale (cello)
- Released On: Unreleased (bootlegged)
Roll Over Beethoven (A New World Record Tour)
"The energy level, which continued through the closing Roll Over Beethoven, showed the excitement and celebration that ELO can offer."
Robert Hilburn (January 29, 1977 - Los Angeles Times review of the January 27, 1977 concert)
"After that, it was a question of which got the largest response, Rockaria!, Do Yah [sic], Ma Ma Ma Belle [sic], or their encore number, Roll Over Beethoven."
Gary Nuhn (February 20, 1977 - Dayton Daily News review of the February 18, 1977 show)
"The obligatory encore was ELO's patented version of Chuck Berry's Roll Over Beethoven. This tune featured the string section of the band playing Beethoven's Fifth Symphony against the electric musicians' Chuck Berry tune. The stage was a frenzied blur as the string musicians danced across the stage with thier instruments."
T. Edward Bell (March 23, 1977 - Houston Daily Cougar review of the March 21, 1977 show)
"On Roll Over Beethoven [in concert] we used to do verse and verse about; someone does a verse and gets a rest on the next one."
Kelly Groucutt (March 3, 2006 - Guitar & Bass magazine)
- Running Time: 6:54 (approximate)
- Record Date: January to April 1977
- Record Location: Unknown
- Written By: Chuck Berry
- Performed By: Jeff Lynne (vocals, guitar), Bev Bevan (drums, percussion), Richard Tandy (piano, moog synthesizer), Kelly Groucutt (bass), Mik Kaminski (violin), Hugh McDowell (cello), Melvyn Gale (cello)
- Released On: Unreleased (bootlegged)
Eleanor Rigby (A New World Record Tour)
A few fans have reported that ELO performed Eleanor Rigby by The Beatles at two different shows (one on April 22nd). Given the string arrangements in the original song and the featured string players in ELO, it would be a natural song for the band to perform. The performance at a January 27th concert in California is confirmed.
"ELO's leader, Jeff Lynne, who has adknowledged his fondness for the Beatles, even included Eleanor Rigby in Thursday's [January 27, 1977) show. [...] Besides the fervor of the new tunes, the instramental appendage on Eleanor Rigby displayed an intensity that carried through Evil Woman and a rousing version of Do Ya."
Robert Hilburn (January 29, 1977 - Los Angeles Times review of the January 27, 1977 concert)
- Running Time: Unknown
- Record Date: some time in January to April 1977
- Record Location: Unknown
- Written By: John Lennon and Paul McCartney
- Performed By: Jeff Lynne (vocals, guitar*), Bev Bevan* (drums, percussion), Richard Tandy* (piano, moog synthesizer), Kelly Groucutt* (bass), Mik Kaminski (violin), Hugh McDowell (cello), Melvyn Gale (cello) -- *unknown
- Released On: Unreleased
This page is intended to be a complete record of information on the Electric Light Orchestra A New World Record tour. If you notice any errors or omissions (which there are many), please contact me at jefflynnesongs@gmail.com and let me know. I strive for accuracy.
Robert Porter
October 2024